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In making new music for a changed world, Sarah McLachlan asks: 91ƵWhere91Ƶs my place?91Ƶ

91ƵI91Ƶve always considered myself to not be political, but I91Ƶm not sure any of us have the luxury anymore91Ƶ
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Sarah McLachlan performs during WE Day in Toronto on Thursday September 19, 2019. THE CANADIAN PRESS/Chris Young

Sarah McLachlan is searching for her purpose in this fractured world.

The Halifax-born singer-songwriter once shattered boundaries with her Lilith Fair tour by empowering a generation of female voices.

But lately, as she prepares her first album of original material in a decade, she is questioning how to voice her opinions on social and political issues.

91ƵI91Ƶve always considered myself to not be political, but I91Ƶm not sure any of us have the luxury anymore,91Ƶ she said in a phone interview from her Vancouver home.

91ƵI just want to be thoughtful in what I say. I want to let the music speak for me.91Ƶ

McLachlan is still figuring out exactly what that means to her. She91Ƶs currently in the studio with producer Tony Berg, known for his work on the Boygenius album, to shape her ideas into a record.

She91Ƶll also embark on a North American tour next month that celebrates the 30th anniversary of 91ƵFumbling Towards Ecstasy,91Ƶ performing the album in its entirety. The shows kick off in Vancouver on May 23 with additional Canadian dates in Toronto on June 19 and Montreal on June 20.

McLachlan spoke with The Canadian Press about revisiting her 1993 album, recording a new one, and deciding when to speak out.

CP: Playing one of your albums front-to-back is something you haven91Ƶt tried before, and it makes sense to pick 91ƵFumbling,91Ƶ since it includes 91ƵPossession,91Ƶ 91ƵHold On,91Ƶ and fan favourite 91ƵIce Cream.91Ƶ But what made you want to hit the road for this one in particular?

McLachlan: There91Ƶs a ton of nostalgia around it for me and probably a lot of people. I think it91Ƶs my favourite record. It was certainly the easiest record I ever made. And there was a lot of joy and fun attached to it. I know so many people who91Ƶve said, 91ƵThat record got me through university.91Ƶ And, I think every song has a certain importance. So playing it in its entirety will be a lot of fun and something I91Ƶve never done.

CP: While you haven91Ƶt been absent from the music industry 91Ƶ you released a 2016 Christmas album, hosted the 2019 Juno Awards and continue working with your music school charity 91Ƶ there91Ƶs been little new music from you lately. What happened?

McLachlan: I don91Ƶt really have an excuse. With COVID, everything ground to a halt, and I didn91Ƶt have a huge deadline to finish it. So I just allowed other things to intervene. I learned how to skate ski, which is really fun. It91Ƶs one of those things where I need to get outside and my partner was a big skate skier. It91Ƶs been a new lease on winter for me.

CP: Now there91Ƶs the making of an album in the mix. You91Ƶre working with producer Tony Berg, who91Ƶs a frequent collaborator with Phoebe Bridgers and was involved in the Boygenius album. How did that come about?

McLachlan: I had been writing and had enough material that I thought: Let91Ƶs get into the studio and see what happens. I absolutely love Phoebe Bridgers and Boygenius and there was a list of producers and his name was at the top. I met him and we connected right away. We spent five days together. We91Ƶre kicking each other and laughing and taking the piss constantly. He91Ƶs like my older brother. And now as soon as I finish this call, I91Ƶm jumping in the car, heading to the airport and going back to L.A. I91Ƶve got another 10 days in the studio. And it91Ƶs just been so much fun to explore.

CP: What are you writing about?

McLachlan: Oh the end of the world. Fun stuff. No, I91Ƶm kidding. Am I kidding? Eh91Ƶ

CP: I don91Ƶt know, I can91Ƶt tell!

McLachlan: I91Ƶm not sure myself. A lot of it is just about where I91Ƶm at in my life, reflection on parenting, and being a woman in our times. The demise of society. A lot of possible scenarios are creeping in. It91Ƶs like, where is my place in all of this? What is my continuing purpose? What91Ƶs my new purpose? Why am I still making music? These are questions that I91Ƶm asking myself. I don91Ƶt have any solid answers yet. But the music will speak for it, eventually.

CP: You91Ƶre coming back in a very different cultural climate. You mentioned being a woman today, and I assume you91Ƶre referring to the stripping back of abortion rights in the U.S. You91Ƶre also among more than 300 artists who signed Tegan and Sara91Ƶs open letter opposing anti-transgender legislation in some Canadian provinces.

McLachlan: Anybody who91Ƶs different is under threat and that typically is marginalized societies. We are living in very precarious times. We think in Canada we91Ƶre so much more advanced than the states, but we91Ƶre not, really. And I think these things have to be talked about. That is a lot of contemplation for me as an artist when we (discuss) my place. I haven91Ƶt been out and around for a bunch of years. I91Ƶve been living my career quietly. I never liked fame, and being constantly asked for my opinion. I just know how I feel and that things can be quietly heading in a really bad direction.

CP: It sounds like you91Ƶre still in the process of figuring this all out.

McLachlan: I haven91Ƶt had a lot of conversations about this other than with close friends and family. And they don91Ƶt know how to counsel me because, they91Ƶre like, 91ƵJust don91Ƶt say anything.91Ƶ And I91Ƶm like, 91ƵI can91Ƶt not say anything.91Ƶ I think it91Ƶs scary for anybody to stand up and take a strong stance because you have people on the opposing sides, the right and left, or the fundamentalists on either side. And there are so many threats of violence (against) someone saying the wrong things and making a stupid comment. And there91Ƶs so little forgiveness. I say: Look, we91Ƶre all learning. We91Ƶre all trying to figure out how to be in this new world. And it91Ƶs going to be messy.

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91Ƶ This interview has been edited and condensed for clarity.

David Friend, The Canadian Press





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