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91ƵTenet91Ƶ returning to theaters and why 91ƵDune 291Ƶ will be shown on film

A Q&A with top directors Christopher Nolan and Denis Villeneuve
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Denis Villeneuve, left, and Christopher Nolan pose for a portrait on Friday, Feb. 2, 2024, in Los Angeles. (Photo by Rebecca Cabage/Invision/AP)

Christopher Nolan has, by any account, had a banner year with 91ƵOppenheimer.91Ƶ But 91ƵTenet91Ƶ was still on his mind.

The starring John David Washington and Robert Pattinson was , when many theaters were open internationally but not yet in New York and Los Angeles. And all those IMAX 70mm and 70mm film prints, which proved so were just sitting around.

91ƵIt91Ƶs a film that was designed, almost more than any I91Ƶve made, to be enjoyed in this form,91Ƶ Nolan told The Associated Press. 91ƵWhen I heard they were going to be making film prints on 91ƵDune: Part Two,91Ƶ I jumped at that and thought what if we opened up the week before? We can dust off the projectors.91Ƶ

Nolan showed one to Warner Bros. film chiefs Pam Abdy and Michael De Luca, and 91Ƶthey got it.91Ƶ

Beginning Feb. 23, 91ƵTenet91Ƶ , .

Longtime friends, Nolan and Denis Villeneuve spoke to the AP last week, outside of a sold out showing of the re-release, about 91ƵTenet,91Ƶ 91ƵDune: Part Two,91Ƶ and the sense that, a decade after Kodak almost stopped making film altogether, movie audiences are embracing and rallying around film too.

Below are excerpts from the conversation, which has been edited for clarity and brevity.

AP: I spoke to people who held off on seeing 91ƵTenet91Ƶ entirely, holding on to the hope that it would get a proper re-release.

NOLAN: For me, living in Los Angeles, I never got to see it with an audience. It came to streaming first here, so this is a really fun opportunity to get it in front of people the way it was intended. The thing with 91ƵTenet91Ƶ is, I think of all the films I have made, it91Ƶs the one that91Ƶs very much about the experience of watching films. It91Ƶs about watching spy movies in a way. It tries to build on that experience and take it to this very magnified, slightly crazy place. A lot of that is about sound and music and this huge image.

More than any film I91Ƶve made, 91ƵTenet91Ƶ was designed to have this very theatrical, IMAX, larger than life identity.

AP: 91ƵDune: Part Two91Ƶ was shot on IMAX digital but will be shown in film. Can you explain how this works?

VILLENEUVE: It was not planned that I would get an IMAX film release. It was a bit like a gift from life, the movie being delayed because of the . Someone came with the idea to try it. They mentioned this once and then I was like a dog not letting it go. The idea to experiment, and, frankly, Chris will say 91Ƶcheat91Ƶ because91Ƶ

NOLAN: I wasn91Ƶt going to say that!

VILLENEUVE: But still, I left film a long time ago. Or, I didn91Ƶt leave film, film left me and my heart was broken.

NOLAN: Film wants you back.

VILLENEUVE: I91Ƶm flirting with the idea, Chris Nolan.

I cannot give numbers, but I know that many of the pre-sales for 91ƵDune: Part Two91Ƶ are in 70mm. There91Ƶs the notion of an event and that is something people are starving for, they are craving it.

NOLAN: As filmmakers we91Ƶre competing with incredible home technology. We have to raise our game, but it91Ƶs great to see a new generation seeing what the difference is. There91Ƶs an emotional response to it that I think is very hard to quantify. It91Ƶs hard to justify to the studio sometimes. So it91Ƶs wonderful when they look at the numbers and they see that they sell more tickets that way, because audiences get something.

VILLENEUVE: The idea to put 91ƵDune91Ƶ on film didn91Ƶt come from me, to be honest. It came from Warners.

NOLAN: I91Ƶm admitting nothing, but we might have pointed out to them some of the numbers that we made.

VILLENEUVE: It always ends up being about the money.

NOLAN: I just like hearing the guy who made 91ƵDune Two91Ƶ be like 91Ƶit91Ƶs all about money.91Ƶ I91Ƶve seen that film. That91Ƶs not a cheap film, my friend.

VILLENEUVE: I have a question for you Chris. You must have strong shoulders because you were able to keep film alive by yourself. You91Ƶre pretty stubborn, my friend, but was there a moment where you felt a bit alone?

NOLAN: Emma was always on the exact same page. I think it would have been very hard if my producing partner hadn91Ƶt understood it the same way I understood it, emotionally. I91Ƶve never felt on my own because it was always at least the two of us together. (But) there was a strange feeling of, hang on, how can it come down to this? We91Ƶve achieved this incredible goal to be able to make films on a large scale, surely they won91Ƶt take the tools away at the last minute.

VILLENEUVE: I think that91Ƶs the way movies will survive. Large formats, like IMAX more precisely, is definitely the future of cinema because you cannot reproduce that at home. Not even in your home.

NOLAN: Well, mine91Ƶs pretty good (laughs).

VILLENEUVE: Yours is the BEST. But it91Ƶs not IMAX.





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