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Japanese Canadian stories explored in B.C. film 91ƵSeagrass91Ƶ

Meredith Hama-Brown91Ƶs award-winning feature explores topics rarely seen on screen
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Young Victoria actor Remy Marthaller had her first major film role in Seagrass. (Seagrass movie still)

As Meredith Hama-Brown91Ƶs debut feature film 91ƵSeagrass91Ƶ made waves during its festival run last fall, the Vancouver writer-director says she heard from many Japanese Canadians who thanked her for exploring a side of their experience rarely depicted on screen.

Ally Maki stars as Judith, a Japanese Canadian woman grieving the recent loss of her mother and struggling with her cultural identity as she brings her family to a couples91Ƶ therapy retreat on a British Columbia island. The film tackles mixed-race relationship conflicts, intergenerational trauma, casual racism and young sibling dynamics.

91ƵThere are a lot of details in the film that I91Ƶve seen in my own family and that other people have told me that they91Ƶve also experienced, particularly how Judith has lost touch with a lot of her own personal history and her family history,91Ƶ Hama-Brown, whose mother is Japanese Canadian, says on a video call from Vancouver.

Like Judith, Hama-Brown says there are gaps in what she knows about the experiences of her grandparents, who were among more than 22,000 Japanese Canadians forced into internment camps by the federal government during the Second World War.

91ƵThat91Ƶs something that91Ƶs very common for Japanese Canadians and Americans, because my grandparents91Ƶ generation really didn91Ƶt want to talk about what happened. I think it was such a traumatic experience and they just wanted to move past it.91Ƶ

91ƵSeagrass,91Ƶ which hits theatres across North America on Friday, is a tense and tangled family drama charting the ups and downs of an interracial marriage on the verge of collapse.

Set in the 1990s, the film sees Judith91Ƶs marriage to her white Canadian husband Steve, played by Luke Roberts, fall apart as they struggle to connect at group therapy sessions for couples, while their children explore the island91Ƶs verdant landscape. Along the way, they become frenemies with a seemingly more functional couple, played by Chris Pang and Sarah Gadon.

Earlier this month, 91ƵSeagrass91Ƶ was named best B.C. film at the Vancouver Film Critics Circle Awards, where Hama-Brown also won the best director prize. Last year, it made Toronto International Film Festival91Ƶs Canada91Ƶs Top Ten list and took home the International Film Critics Prize at the fest.

Hama-Brown, who grew up in the 91Ƶ90s, mines some of her own experiences in the film, similar to the way her award-winning short 91ƵBroken Bunny91Ƶ dealt with themes of shattered childhood innocence. But she stresses that the plot is very much fictional.

91ƵMy family never went to this retreat altogether, and although my parents are divorced, I never saw them argue. They had a polar opposite divorce. My dad is the polar opposite of Steve.91Ƶ

Steve comes off as culturally insensitive and poorly equipped to deal with Judith91Ƶs intergenerational trauma. At one point, he makes a racist joke about Pang91Ƶs character, a Chinese Australian.

Hama-Brown says such microaggressions were a product of the era 91ƵSeagrass91Ƶ takes place in.

91ƵIn the 91Ƶ90s, no one really knew how to say, 91ƵThat91Ƶs racist or that doesn91Ƶt feel right.91Ƶ Or when people tried, it would be disregarded as a joke. It91Ƶs been really good exploring that type of racism in a film, because I think it can be extremely insidious and it91Ƶs something that is still so prevalent.91Ƶ

91ƵSeagrass91Ƶ is also a coming-of-age story as the couple91Ƶs children Stephanie and Emmy, played by Vancouver91Ƶs Nyha Huang Breitkreuz and Victoria91Ƶs Remy Marthaller, experience the fallout of their family crumbling.

Hama-Brown says the team found the pair of young actors through a 91Ƶvery laborious casting process91Ƶ in which they 91Ƶwrote to every single kids91Ƶ acting school in Canada.91Ƶ Breitkreuz91Ƶs audition tape came in a week and a half before they started shooting. The film marks both actors91Ƶ first major roles in a movie.

91ƵThank goodness everything came together because it91Ƶs very challenging casting kids and finding people who can carry these really challenging roles. They have mature themes, but there91Ƶs also a ton of dialogue.91Ƶ

Just as challenging to scout out were the film91Ƶs locations. Finding a retreat for a month during the summer of 2022 was nearly impossible as they were all booked up, but Hama-Brown and cinematographer Norm Li discovered one on Gabriola Island called The Haven. Group therapy sessions are actually held there in real life, although Hama-Brown jokes 91Ƶthey91Ƶre probably much better than the ones portrayed in the film.91Ƶ

When Emmy is shown an oceanside cave that other children tell her is haunted, she becomes obsessed with it, convinced the ghost of her recently deceased grandmother is living there.

Hama-Brown says the cave, located at Tofino91Ƶs Rosie Bay, was not only hard to find but 91Ƶexceptionally difficult91Ƶ to film in.

91ƵWhen the tide comes in, you will get trapped, so we only had three hours to work in the cave when we were there. Plus, we had a whole bunch of kids who we were bringing there and some gear that we had to walk in. It was something I was just terrified about doing until we got to it.91Ƶ

In the end, the scenes were well worth it. Hama-Brown says the tidal, seaweed-draped setting was integral to the film.

91ƵThe sense of place meant a lot to me. It91Ƶs the fact that the family is going to this remote island. I wanted to have the sense of being away and surrounded by water and almost trapped. I wanted there to be this sense of isolation.91Ƶ

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