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Oak Bay 91Ƶserial artist91Ƶ Barbara Black turns to fiction

Short story collection Music from a Strange Planet
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- Words by Angela Cowan Photographs by Don Denton

A journalist, poet, musician, composer and self-proclaimed 91Ƶserial artist,91Ƶ Barbara Black recently ticked another box in her lifelong exploration of the arts: author.

Black91Ƶs short story collection, Music from a Strange Planet, came out last May, the culmination of more than a decade of musing and writing. With a full writing career already under her belt91Ƶincluding writing reviews and a column for a North Vancouver newspaper, working with various government ministries, and any number of projects working in public relations and for the arts community91ƵBarbara, an Oak Bay resident for 30 years, finally turned her gaze inward and began writing creatively.

91ƵIt started in my 40s,91Ƶ she says. 91ƵI kept saying I wanted to write a book91Ƶthat germinated for a while91Ƶand in my 50s, I started writing.91Ƶ

Already attracted to the short story form, Barbara began reading and rereading her favourite short fiction collections and designed what she calls a 91Ƶdo-it-yourself MFA.91Ƶ

91ƵIt took me a little while to figure out where to start the story,91Ƶ she says. 91ƵI was learning to find my author voice and to trust my instincts more because my previous background was a journalistic-type voice.91Ƶ

Short fiction particularly attracted her because of the concise nature of the language and the potential ambiguity of its narratives.

91ƵIt91Ƶs a very encapsulated form. You don91Ƶt always have to explain everything, and when you push it into that surreal envelope, the story has an extra sheen to it,91Ƶ she says. 91ƵIn a short story, you can get away with not resolving everything. You91Ƶre pulling things out of their ordinary-ness, making them more interesting, or maybe more understandable. If it91Ƶs in a story form, you might be more willing to accept it.91Ƶ

And indeed, many of the stories in Music have emotionally ambiguous notes. In 91ƵDarkling Beetle,91Ƶ a mother struggles to understand and accept her awkward daughter, a girl who envisions herself as more insect than human. In 91ƵNight People,91Ƶ a woman who 91Ƶt sleep and a man who ɴDz91Ƶt sleep find their paths crossing in the dark and lonely hours of the night.

The tone in 91ƵGhosts on Pale Stalks91Ƶ seems to be light, joking, almost fatalistic towards aging and the passage of time, but the true91Ƶand unexpected91Ƶgrieving nature of the narrator91Ƶs cabin holiday quickly becomes clear.

As different as the stories are, there91Ƶs a quiet intensity that runs through each of them. This is partly due to the characters themselves, but partly because of Barbara91Ƶs ability to infuse her narratives with small, visceral details of the natural world. There are moths described in great detail, rain-soaked forests, slippery tangles of seaweed and a rabid raccoon with a penchant for olives.

91ƵWhen I was little, I already had this fascination with the small things and the natural world,91Ƶ she explains. 91ƵI loved all creatures and insects. I would project myself into their little environments.91Ƶ

Around the same time that she began thinking about writing a book, Barbara took up gardening and found endless inspiration in being immersed in those 91Ƶlittle worlds.91Ƶ

91ƵI started being more in the world instead of being so much in my head,91Ƶ she says. 91ƵI91Ƶm also interested in putting myself into the perspective of an insect or an animal, or even a plant, and to be in their world, and see their world the way they see it. That pushes a little bit into the realm of surrealism.91Ƶ

Music from a Strange Planet has been very well received since its publication, and Barbara is currently working on a collection of flash fiction also to be released by Caitlin Press, set for release in winter 2022.

With these pieces coming in at fewer than 500 words, they 91Ƶalmost blur a little into poetic prose,91Ƶ she says. 91ƵThey91Ƶre very concise. You have to be economic with your language, and I really like that innovative use of language.91Ƶ

After spending so much time living in the literary part of her brain, Barbara has also recently reengaged with music. After well over a decade of performing classically as a soloist and in ensembles, she91Ƶs coming at it from a more organic, personal perspective.

91ƵWhen you do classical, you91Ƶre constantly singing off the score, so you don91Ƶt really have a chance to get it into your body,91Ƶ she says. 91ƵI want to be able to sing and be myself. And I really want to be able to tell a story through song. It91Ƶs different when someone is singing from their emotional centre, and they91Ƶre feeling it, and that91Ƶs what I91Ƶm aiming for.91Ƶ

Her two passions will come together this fall, with the premiere of a comic chamber opera in Vancouver, based on one of her flash fiction pieces.

91ƵIt91Ƶs about a woman named Miss Evans in the Victorian times; she91Ƶs a woman who91Ƶs being punished for being too intelligent,91Ƶ says Barbara, who wrote the libretto, while composer Katerina Gimon has written the music for the show. 91ƵThe Erato Ensemble is premiering it, and that91Ƶs going to be very exciting.

91ƵThis connection with Katerina came out of a decision to say 91Ƶyes91Ƶ to everything,91Ƶ adds Barbara, who met Katerina at Art Song Lab, a week-long workshop where writers are paired with composers to create new songs. 91ƵAnd when you say 91Ƶyes91Ƶ to things, it leads to more.91Ƶ



About the Author: Black Press Media Staff

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