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Tony Bennett, masterful stylist of American musical standards, dies at 96

Tony Bennett, the eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as 91ƵI Left My Heart In San Francisco91Ƶ graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. He was 96, just two weeks short of his birthday.

Tony Bennett, the eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. He was 96, just two weeks short of his birthday.

Publicist Sylvia Weiner confirmed Bennett91Ƶs death to The Associated Press, saying he died in his hometown of New York. There was no specific cause, but Bennett had been diagnosed in 2016.

The last of the great saloon singers of the mid-20th century, Bennett often said his lifelong ambition was to create 91Ƶa hit catalog rather than hit records.91Ƶ He released more than 70 albums, bringing him 19 competitive Grammys 91Ƶ all but two after he reached his 60s 91Ƶ and enjoyed deep and lasting affection from fans and fellow artists.

Bennett didn91Ƶt tell his own story when performing; he let the music speak instead 91Ƶ the Gershwins and Cole Porter, Irving Berlin and Jerome Kern. Unlike his friend and mentor Sinatra, he would interpret a song rather than embody it. If his singing and public life lacked the high drama of Sinatra91Ƶs, Bennett appealed with an easy, courtly manner and an uncommonly rich and durable voice 91Ƶ 91ƵA tenor who sings like a baritone,91Ƶ he called himself 91Ƶ that made him a master of caressing a ballad or brightening an up-tempo number.

91ƵI enjoy entertaining the audience, making them forget their problems,91Ƶ he told The Associated Press in 2006. 91ƵI think people 91Ƶ are touched if they hear something that91Ƶs sincere and honest and maybe has a little sense of humor. 91Ƶ I just like to make people feel good when I perform.91Ƶ

Bennett was praised often by his peers, but never more meaningfully than by what Sinatra said in a 1965 Life magazine interview: 91ƵFor my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He91Ƶs the singer who gets across what the composer has in mind, and probably a little more.91Ƶ

He not only survived the rise of rock music but endured so long and so well that he gained new fans and collaborators, some young enough to be his grandchildren. In 2014, at age 88, Bennett broke his own record as the oldest living performer with a No. 1 album on the Billboard 200 chart his duets project with Lady Gaga. Three years earlier, he topped the charts with 91ƵDuets II,91Ƶ featuring such contemporary stars as Gaga, Carrie Underwood and Amy Winehouse, in her last studio recording. His rapport with Winehouse was captured in the Oscar-nominated documentary 91ƵAmy,91Ƶ which showed Bennett patiently encouraging the insecure young singer through a performance of 91ƵBody and Soul.91Ƶ

His final album, the 2021 release 91ƵLove for Sale,91Ƶ featured duets with Lady Gaga on the title track, 91ƵNight and Day91Ƶ and other Porter songs.

For Bennett, one of the few performers to move easily between pop and jazz, such collaborations were part of his crusade to expose new audiences to what he called the Great American Songbook.

91ƵNo country has given the world such great music,91Ƶ Bennett said in a 2015 interview with Downbeat Magazine. 91ƵCole Porter, Irving Berlin, George Gershwin, Jerome Kern. Those songs will never die.91Ƶ

Ironically, his most famous contribution came through two unknowns, George Cory and Douglass Cross, who in the early 91Ƶ60s provided Bennett with his signature song at a time his career was in a lull. They gave Bennett91Ƶs musical director, pianist Ralph Sharon, some sheet music that he stuck in a dresser drawer and forgot about until he was packing for a tour that included a stop in San Francisco.

91ƵRalph saw some sheet music in his shirt drawer 91Ƶ and on top of the pile was a song called 91ƵI Left My Heart In San Francisco.91Ƶ Ralph thought it would be good material for San Francisco,91Ƶ Bennett said. 91ƵWe were rehearsing and the bartender in the club in Little Rock, Arkansas, said, 91ƵIf you record that song, I91Ƶm going to be the first to buy it.91Ƶ91Ƶ

Released in 1962 as the B-side of the single 91ƵOnce Upon a Time,91Ƶ the reflective ballad became a grassroots phenomenon staying on the charts for more than two years and earning Bennett his first two Grammys, including record of the year.

By his early 40s, he was seemingly out of fashion. But after turning 60, an age when even the most popular artists often settle for just pleasing their older fans, Bennett and his son and manager, Danny, found creative ways to market the singer to the MTV Generation. He made guest appearances on 91ƵLate Night with David Letterman91Ƶ and became a celebrity guest artist on 91ƵThe Simpsons.91Ƶ He wore a black T-shirt and sunglasses as a presenter with the Red Hot Chili Peppers at the 1993 MTV Music Video Awards, and his own video of 91ƵSteppin91Ƶ Out With My Baby91Ƶ from his Grammy-winning Fred Astaire tribute album ended up on MTV91Ƶs hip 91ƵBuzz Bin.91Ƶ

That led to an offer in 1994 to do an episode of 91ƵMTV Unplugged91Ƶ with special guests Elvis Costello and k.d. lang. The evening91Ƶs performance resulted in the album, 91ƵTony Bennett: MTV Unplugged,91Ƶ which won two Grammys, including album of the year.

Bennett would win Grammys for his tributes to female vocalists (91ƵHere91Ƶs to the Ladies91Ƶ), Billie Holiday (91ƵTony Bennett on Holiday91Ƶ), and Duke Ellington (91ƵBennett Sings Ellington 91Ƶ Hot & Cool91Ƶ). He also won Grammys for his collaborations with other singers: 91ƵPlayin91Ƶ With My Friends 91Ƶ Bennett Sings the Blues,91Ƶ and his Louis Armstrong tribute, 91ƵA Wonderful World91Ƶ with lang, the first full album he had ever recorded with another singer. He celebrated his 80th birthday with 91ƵDuets: An American Classic,91Ƶ featuring Barbra Streisand, Paul McCartney and Stevie Wonder among others.

91ƵThey91Ƶre all giants in the industry, and all of a sudden they91Ƶre saying to me 91ƵYou91Ƶre the master,91Ƶ91Ƶ Bennett told the AP in 2006.

Long associated with San Francisco, Bennett would note that his true home was Astoria, the working-class community in the New York City borough of Queens, where he grew up during the Great Depression. The singer chose his old neighborhood as the site for the 91ƵFame91Ƶ-style public high school, the Frank Sinatra School of the Arts, that he and his third wife, Susan Crow Benedetto, a former teacher, helped found in 2001.

The school is not far from the birthplace of the man who was once Anthony Dominick Benedetto. His father was an Italian immigrant who inspired his love of singing, but he died when Anthony was 10. Bennett credited his mother, Anna, with teaching him a valuable lesson as he watched her working at home, supporting her three children as a seamstress doing piecework after his father died.

91ƵWe were very impoverished,91Ƶ Bennett said in a 2016 AP interview. 91ƵI saw her working and every once in a while she91Ƶd take a dress and throw it over her shoulder and she91Ƶd say, 91ƵDon91Ƶt have me work on a bad dress. I91Ƶll only work on good dresses.91Ƶ91Ƶ

He studied commercial art in high school, but had to drop out to help support his family. The teenager got a job as a copy boy for the AP, performed as a singing waiter and competed in amateur shows. A combat infantryman during World War II, he served as a librarian for the Armed Forces Network after the war and sang with an army big band in occupied Germany. His earliest recording is a 1946 air check from Armed Forces Radio of the blues 91ƵSt. James Infirmary.91Ƶ

Bennett took advantage of the GI Bill to attend the American Theater Wing, which later became The Actors Studio. His acting lessons helped him develop his phrasing and learn how to tell a story. He learned the more intimate Bel Canto vocal technique which helped him sustain and extend the expressive range of his voice. And he took to heart the advice of his vocal coach, Miriam Spier.

91ƵShe said please don91Ƶt imitate other singers because you91Ƶll just be one of the chorus whoever you imitate whether it91Ƶs Bing Crosby or Frank Sinatra and won91Ƶt develop an original sound,91Ƶ Bennett recalled in the 2006 AP interview. 91ƵShe said imitate musicians that you like, find out how they phrase. I was particularly influenced by the jazz musicians like (pianist) Art Tatum and (saxophonists) Lester Young and Stan Getz.91Ƶ

In 1947, Bennett made his first recording, the Gershwins91Ƶ standard 91ƵFascinatin91Ƶ Rhythm91Ƶ for a small label under the stage name Joe Bari. The following year he gained notice when he finished behind Rosemary Clooney on the radio show 91ƵArthur Godfrey91Ƶs Talent Scouts.91Ƶ Bennett91Ƶs big break came in 1949 when singer Pearl Bailey invited him to join her revue at a Greenwich Village club. Bob Hope dropped by one night and was so impressed that he offered the young singer a spot opening his shows at the famed Paramount Theater, where teens had swooned for Sinatra. But the comedian didn91Ƶt care for his stage name and thought his real name was too long for the marquee.

91ƵHe thought for a moment, then he said, 91ƵWe91Ƶll call you Tony Bennett,91Ƶ91Ƶ the singer wrote in his autobiography, 91ƵThe Good Life,91Ƶ published in 1998.

In 1950, Mitch Miller, the head of Columbia Records91Ƶ pop singles division, signed Bennett and released the single, 91ƵThe Boulevard of Broken Dreams,91Ƶ a semi-hit. Bennett was on the verge of being dropped from the label in 1951 when he had his first No. 1 on the pop charts with 91ƵBecause of You.91Ƶ More hits followed, including 91ƵRags to Riches,91Ƶ 91ƵBlue Velvet,91Ƶ and Hank Williams91Ƶ 91ƵCold, Cold Heart,91Ƶ the first country song to become an international pop hit.

Bennett found himself frequently clashing with Miller, who pushed him to sing Sinatra-style ballads and gimmicky novelty songs. But Bennett took advantage of the young LP album format, starting in 1955 with 91ƵCloud 7,91Ƶ featuring a small jazz combo led by guitarist Chuck Wayne. Bennett reached out to the jazz audience with such innovative albums as the 1957 91ƵThe Beat of My Heart,91Ƶ an album of standards that paired him with such jazz percussion masters as Chico Hamilton, and Art Blakey. He also became the first white male singer to record with the Count Basie Orchestra, releasing two albums in 1958. Sinatra would later do the same.

Bennett91Ƶs friendship with Black musicians and his disgust at the racial prejudice he encountered in the Army led him to become an active supporter of the Civil Rights Movement. He answered to join Martin Luther King Jr.91Ƶs 1965 Selma-to-Montgomery voting rights march and

Bennett91Ƶs early career peaked in the 1960s as he topped the charts with 91ƵSan Francisco91Ƶ and became the first male pop solo performer to headline at Carnegie Hall, releasing a live album of the 1962 concert.

In 1966, he released 91ƵThe Movie Song Album,91Ƶ a personal favorite which featured Johnny Mandel91Ƶs Oscar-winning song 91ƵThe Shadow of Your Smile91Ƶ and 91ƵMaybe September,91Ƶ the theme from the epic flop 91ƵThe Oscar,91Ƶ noteworthy because it marked Bennett91Ƶs first and only big-screen acting role.

But as rock continued to overtake traditional pop, he clashed with Columbia label head Clive Davis, who insisted that the singer do the 1970 album 91ƵTony Sings the Great Hits of Today,91Ƶ with such songs as 91ƵMacArthur Park91Ƶ and 91ƵLittle Green Apples.91Ƶ Bennett left Columbia in 1972, and went on to form his own record label, Improv, which in 1975-76 produced two duet albums with the impressionistic pianist Bill Evans now considered jazz classics.

Despite artistic successes, Improv proved a financial disaster for Bennett, who also faced difficulties in his personal life. His marriage to artist Patricia Beech collapsed in 1971. He wed actress Sandra Grant the same year, but that marriage ended in 1984. With no recording deals, his debts brought him close to bankruptcy and the IRS was trying to seize his house in Los Angeles. After a near-fatal drug overdose in 1979, he turned to his son, Danny, who eventually signed on as his manager. Bennett kicked his drug habit and got his finances in order, moved back to New York and resumed doing more than 200 shows a year.

He is survived by his wife Susan, daughters Johanna and Antonia, sons Danny and Dae and nine grandchildren.

Bennett was named a Kennedy Center Honoree in 2005 and a National Endowment for the Arts Jazz Master in 2006. He also won two Emmy Awards 91Ƶ for 91ƵTony Bennett Live By Request: A Valentine Special91Ƶ (1996) and 91ƵTony Bennett: An American Classic91Ƶ (2007).

Besides singing, Bennett pursued his lifelong passion for painting by taking art lessons and bringing his sketchbook on the road. His paintings, signed with his family name Benedetto 91Ƶ including portraits of his musician friends and Central Park landscapes 91Ƶ were displayed in public and private collections, including the Smithsonian Museum of American Art.

91ƵI love to paint as much as I love to sing,91Ƶ Bennett told the AP in 2006. 91ƵIt worked out to be such a blessing in my life because if I started getting burnt-out singing 91Ƶ I would go to my painting and that91Ƶs a big lift. 91Ƶ So I stay in this creative zone all the time.91Ƶ

____

AP National Writer Hillel Italie contributed to this story.

Charles J. Gans, The Associated Press

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FILE - Singer Tony Bennett holds the award for outstanding individual performance in a variety or music program for his work on the 91ƵTony Bennett: An American Classic91Ƶ at the 59th Primetime Emmy Awards Sunday, Sept. 16, 2007, in Los Angeles (AP Photo/Chris Carlson, File)




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