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91ƵSpeak Now (Taylor91Ƶs Version)91Ƶ is here. Here91Ƶs how to reconsider Taylor Swift91Ƶs transformative album

Her 2006 self-titled debut and 200891Ƶs 91ƵFearless91Ƶ had inspired both acclaim and criticism for her bold bridges and keen lyricism 91Ƶ these are masterful country-pop songs, critics argued, but surely a teen idol wasn91Ƶt responsible for them. Swift proved her detractors wrong on 91ƵSpeak Now,91Ƶ an album that arrived just before her pivot from country91Ƶs youngest hope to pop91Ƶs freshest voice.

Her 2006 self-titled debut and 200891Ƶs 91ƵFearless91Ƶ had inspired both acclaim and criticism for her bold bridges and keen lyricism 91Ƶ these are masterful country-pop songs, critics argued, but surely a teen idol wasn91Ƶt responsible for them. Swift proved her detractors wrong on 91ƵSpeak Now,91Ƶ an album that arrived just before her pivot from country91Ƶs youngest hope to pop91Ƶs freshest voice.

The album served as a close document of her nascent fame and future career ambitions, and now, 13 years on, it91Ƶs back. released Friday, is the third release of the six albums The Taylor91Ƶs Version albums, instigated by music manager Scooter Braun91Ƶs sale of her early catalog, represent Swift91Ƶs effort to control her own songs and how they91Ƶre used 91Ƶ a fitting ethos for 91ƵSpeak Now,91Ƶ a record built exclusively of her own voice.

In preparation for 91ƵSpeak Now (Taylor91Ƶs Version),91Ƶ The Associated Press reached out to Taylor Swift scholars to discuss all the ways listeners can and should think about the release.

ADOLESCENCE TO ADULTHOOD

Before 91ƵSpeak Now91Ƶ became 91ƵSpeak Now,91Ƶ the working title was 91ƵEnchanted,91Ƶ named after the power ballad of the same name. The mythology ( ) behind the shift is that Swift91Ƶs label president at the time, Big Machine Records CEO Scott Borchetta, to move on from whimsy and fairytale iconography 91Ƶ she was entering her 20s and this LP warranted a more mature title.

Transition creates an interesting framework for thinking about this album: Written largely between the ages of 18 and 20, released when she turned 21, 91ƵSpeak Now91Ƶ is a collection of songs on a precipice 91Ƶ of adulthood, of fame, of declaring ownership but still concerned with the subject matters that concern a young adult. There are crushes (91ƵSuperman,91Ƶ 91ƵSparks Fly91Ƶ) and bittersweet breakups (91ƵBack to December,91Ƶ 91ƵIf This Was a Movie91Ƶ), alike.

91ƵYou hear a youngness when you listen to these songs,91Ƶ says musicologist Lily Hirsch, author of 91ƵCan91Ƶt Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono.91Ƶ 91ƵIt91Ƶs all about these romantic relationships. The world hinges on all of that, which is so typical of that age. So, it is interesting hear the re-recordings bring a more mature voice to those earlier preoccupations.91Ƶ

Elizabeth Scala teaches a course on Taylor Swift91Ƶs songbook at the University of Texas at Austin as an introduction to literary studies and research methods.

91ƵI think 91ƵSpeak Now91Ƶ is still in the vein of 91ƵI don91Ƶt have enough life experience at my ripe age of 18 to give you a fully autobiographical anything, but I91Ƶm going to use what I read and what I know from other people,91Ƶ91Ƶ she says of the songs91Ƶ lyrical content, which still manage to 91Ƶmake really beautiful, coherent things out of the messiness and inaccuracy of our memories.91Ƶ

IN CONVERSATION WITH HER CRITICS AND CELEBRITY

Coming a year after Kanye West interrupted at the 2009 MTV Video Music Awards, 91ƵSpeak Now91Ƶ is the moment in Swift91Ƶs career where she began to use her celebrity as a mirror to her interior life.

91ƵMean,91Ƶ a takedown of a rock critic, becomes a banjo-led treatise on antagonism of any kind; the blues-y 91ƵDear John91Ƶ centers on a young woman91Ƶs tumultuous relationship with an older man.

91ƵInsults are everywhere in music, and men don91Ƶt get the same flak for it,91Ƶ Hirsch says, in reference to 91ƵDear John91Ƶ and 91ƵMean.91Ƶ 91ƵThere91Ƶs this idea that women especially are supposed to take the high road, turn the other cheek and all of that, and men can get away with the low road, and they certainly do in music. It91Ƶs a kind of double standard. Women are labeled 91Ƶcatty91Ƶ when confronting bad behavior, like in 91ƵDear John.91Ƶ91Ƶ

A common pastime among Swift fans is to unearth the identities of her songs91Ƶ subjects. But, to Scala, 91Ƶthe most boring way to think about Taylor Swift is in terms of her biography.91Ƶ

At a recent stop of her Eras Tour in Minneapolis, Swift seemed to agree, playing 91ƵDear John91Ƶ live for the after delivering this introduction:

91ƵI91Ƶm 33 years old. I don91Ƶt care about anything that happened to me when I was 19 except the songs I wrote and the memories we made together. So what I91Ƶm trying to tell you is, I91Ƶm not putting this album out so you should feel the need to defend me on the internet against someone you think I might have written a song about 14 billion years ago.91Ƶ

Scala sees a throughline between this album and its successors, with 91ƵDear John91Ƶ as a precursor to and 91ƵMean91Ƶ as prescient to a song that parodies how she91Ƶs been portrayed in the media.

REVISIONIST HISTORY

Much surrounding the re-recording of 91ƵSpeak Now91Ƶ has centered on 91ƵBetter Than Revenge,91Ƶ a pop-punk song that takes aim at another woman instead of the man that wronged them both. It takes both sonic and thematic cues from Paramore91Ƶs 2007 pop-rock hit 91ƵMisery Business,91Ƶ a similar song . (In fact, on 91ƵSpeak Now (Taylor91Ƶs Version),91Ƶ Paramore singer Hayley Williams lends vocals to a 91Ƶvault91Ƶ song, 91ƵCastles Crumbling.91Ƶ)

In the original chorus of 91ƵBetter Than Revenge,91Ƶ Swift sings, 91ƵShe91Ƶs an actress / She91Ƶs better known for the things she does on the mattress,91Ƶ a rare lyrical misstep in a career underscored by poetic turns of phrases (in the opener 91ƵMine,91Ƶ she sings 91ƵYou made a rebel of a careless man91Ƶs careful daughter91Ƶ). In her 2023 91ƵBetter Than Revenge91Ƶ version, the lyric becomes 91ƵHe was a moth to the flame / She was holding the matches.91Ƶ

91ƵIf we think about 2010, slut-shaming rhetoric certainly existed in movies and shows. She91Ƶs certainly not the only one who has done this at that time,91Ƶ Hirsch argues, quick to point out that Swift has also been the target of sexist vitriol.

Swift91Ƶs alteration of the song in her re-recording follows a lineage of other pop stars doing the same. and to songs deemed offensive. Weird Al no longer performs his Michael Jackson parodies. And because Swift hasn91Ƶt performed 91ƵBetter Than Revenge91Ƶ live for well over a decade, she hasn91Ƶt needed to confront this particular song, in this particular way.

91ƵWe are willing to replace the old version with Taylor91Ƶs Versions because they are exact replicas, as much as they can be,91Ƶ Scala argues. 91ƵIf she does something different, it becomes a different song.91Ƶ A different song, this time, owned by Swift.

ART EVOLVES WITH TIME

91ƵFrom a literary historian91Ƶs point of view, when you first hear 91ƵSpeak Now,91Ƶ you could only look at her career up to that point: It meant something in her creative timeline,91Ƶ says Scala. 91ƵAnd now we have the rest of her career to compare it to, so it91Ƶs hard to listen to the record the same way. You can compare it to the older recording, but its deeper and richer.91Ƶ

Technology has changed from 2010. So has Swift: Her voice has matured, no longer possessing the sweet self-restraint that colored her earliest releases.

Each release comes with a few 91ƵFrom the Vault91Ƶ tracks, unreleased songs from each album91Ƶs period reimagined for the current moment. They, too, give a fuller picture.

AN EXERCISE IN ARTISTIC AUTONOMY

Beyond all of the music and cultural considerations, the fact is: Taylor Swift is re-recording this album to own her work, like she is doing with so many of her records 91Ƶ but this is the only album in her discography that is entirely self-penned, the one celebrated for its dismissals of exploitative male characters and poetic embrace of girlhood.

In fact, it91Ƶs hard not to think of 91ƵCould91Ƶve, Would91Ƶve, Should91Ƶve91Ƶ from her where Swift sings 91ƵGive me back my girlhood, it was mine first,91Ƶ as a self-reflection of her 91ƵSpeak Now91Ƶ self. That track is a creative reclamation of the teen who wrote 91ƵDear John91Ƶ as an adult; 91ƵSpeak Now (Taylor91Ƶs Version)91Ƶ is the literal reclamation.

91ƵOwning these masters, she decided to take back that control,91Ƶ Hirsch says. 91ƵI love what it communicates: that we all have power, we don91Ƶt have to just sit back and take these situations, especially when it concerns our own voice.91Ƶ

Maria Sherman, The Associated Press

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