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Review: 91ƵAlien: Romulus91Ƶ introduces next-gen Xenomorph with plenty of jumps

Your enjoyment of this film likely to depend on the expectations you bring to it
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This image released by 20th Century Studios shows Xenomorph in a scene from 91ƵAlien: Romulus.91Ƶ (20th Century Studios via AP)

91ƵIn space, no one can hear you scream,91Ƶ went the tagline for the original 91ƵAlien91Ƶ in 1979, a terrifying thought on multiple levels.

There may indeed be a scientific rationale for a space scream to be inaudible, but isn91Ƶt it scarier to simply realize nobody91Ƶs around to hear you? That was the case for Sigourney Weaver91Ƶs Ripley, once she became the last one standing against the fearsome Xenomorph. Nobody could hear her scream 91Ƶ nobody human, that is 91Ƶ because, duh, everyone was dead.

In any case, hearing won91Ƶt be a problem here on Earth at any multiplex showing the much-anticipated new installment to the 91ƵAlien91Ƶ franchise (not a sequel, but we91Ƶll get to that in a minute.) This is a very big, very (very!) loud, very jumpy horror flick, and the screams will come, and they91Ƶll be audible. Which is precisely what 91ƵAlien91Ƶ fans are surely waiting for.

And speaking of Ripley, no, neither she (nor Weaver) are present in this new version by closer in feel to the horror roots of Ridley Scott91Ƶs original than James Cameron91Ƶs more action-focused 1986 91ƵAliens.91Ƶ But now we have Rain Carradine, played by rising star Cailee Spaeny (91ƵPriscilla91Ƶ), a new-generation Ripley in everything but name. Spaeny takes up the mantle of badass space fighter with aplomb, and is easily the best part of a movie that, like the 1979 original, is short on character development.

There are many other parallels (and winking nods) to the original (Scott is a co-producer here). But like we said, don91Ƶt call it a sequel. In fact it91Ƶs an 91Ƶinterquel,91Ƶ which wouldn91Ƶt be a bad horror film title in itself. The dictionary explains that it91Ƶs neither sequel nor prequel, but rather a 91Ƶmiddlequel91Ƶ between installments, known as 91Ƶquels.91Ƶ

Just kidding! It91Ƶs not in the dictionary. But it91Ƶs worth noting that Álvarez, in placing his movie between existing versions to form a new trilogy, yet aiming also for standalone entertainment, risks some tonal confusion. Not that you91Ƶll be able to hear your thoughts, should this occur to you.

The premise is new, sort of. Álvarez, who co-wrote the screenplay with Rodo Sayagues, has said he got the idea from a deleted scene from Cameron91Ƶs film, in which young kids were seen amongst workers in a mining colony, and wondering what their lives would be like when they reached their 20s.

At the beginning, we find out: life is bleak indeed in the colony on Jackson91Ƶs Star, owned by the worker-exploiting Weyland-Yutani firm.

Rain91Ƶs miner parents have died of lung ailments. They91Ƶve left her a caring brother, Andy, who is actually a 91Ƶsynthetic,91Ƶ or humanoid robot. The 91Ƶhuman91Ƶ element is crucial because it allows an empathetic David Jonsson, in the role, to connect to the audience in a way that otherwise only Spaeny does 91Ƶ the rest of the cast is given virtually nothing to work with.

In any case, the two are not long for Jackson91Ƶs Star. After Rain is turned down for a travel permit to finally escape dark colony life, she and Andy join a risky venture.

There91Ƶs an (apparently) decommissioned space station hovering above, and if they can raid it of hardware and other loot, they can bypass the brutal wait for permits and finally make it to a new home. And so, reluctantly, the two agree to join the others 91Ƶ Rain91Ƶs ex-boyfriend Tyler (Archie Renaux), his sister Kay (Isabela Merced), Bjorn (Spike Fearn) and Navarro (Aileen Wu) 91Ƶ on a bumpy flight to the Renaissance station.

Surely we91Ƶre not spoiling much to say that it91Ƶs best not to get attached to anybody.

Because, we all know what91Ƶs waiting up there, don91Ƶt we? It91Ƶs already been teased in the opening, with the rickety old station looking much like USCSS Nostromo, that ill-fated space tug in the original.

We hardly needed the hint, though. This is an 91ƵAlien91Ƶ movie and it91Ƶs all about the Xenomorph, that terrifying creature who is diabolically 91Ƶperfect,91Ƶ able to survive in any atmosphere and to multiply, obviously, in the most disgusting of ways.

It91Ƶs not really a party 91Ƶ or a movie 91Ƶ until the creatures show up. And that, they do. Much has been made of this film91Ƶs rather than a CGI-created universe. The actors have said this 91Ƶ as well as shooting in a linear fashion 91Ƶ helped them feel the genuine horror needed for their portrayals.

Does all this elevate the film beyond any of its predecessors? Like so many franchises that depend on intense fandom, that truly depends from what vantage point you91Ƶre joining in. Fans of the original will appreciate the many respectful echoes of that film (and perhaps the fact that, thank the lord, there91Ƶs no longer a gratuitous skimpy panty scene.) Fans of Cameron91Ƶs take will appreciate the action that comes later in the film.

And while some will applaud the wild, outlandish, creative and possibly ridiculous swerve of those final minutes 91Ƶ not to spoil it 91Ƶ others may even laugh rather than scream.

It91Ƶs all good, though. In space, probably no one can hear you laugh, either.

91ƵAlien: Romulus,91Ƶ a 20th-Century Studios release, has been rated R by the Motion Picture Association 91Ƶfor bloody violent content and language. 91Ƶ Running time: 119 minutes. Two stars out of four.





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