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91ƵGeneral Hospital91Ƶ turns 60: A behind-the-scenes look

ABC91Ƶs 91ƵGeneral Hospital91Ƶ marks its 60th anniversary this week, making it the longest-running scripted show currently in production on American television.

ABC91Ƶs 91ƵGeneral Hospital91Ƶ marks its 60th anniversary this week, making it the longest-running scripted show currently in production on American television.

The soap is marking the milestone with a fan favorite storyline, , a gala that raises money for charity. This week the residents of the fictional city of Port Charles dress to the nines and walk a red carpet. In a guest appearance, Chandra Wilson of 91ƵGrey91Ƶs Anatomy91Ƶ plays fashion editor Sydney Val Jean.

91ƵShe91Ƶs a big fan of the show,91Ƶ said executive producer Frank Valentini of Wilson. 91ƵShe taped all the scenes on the red carpet and was working at 91ƵGrey91Ƶs91Ƶ the same day. I91Ƶm just so crazy about her.91Ƶ

Valentini is pumped about this year91Ƶs musical performances too, as a number of the cast can sing and dance.

91ƵSome of the numbers are some of the best things we91Ƶve ever done, and we91Ƶve done some really good stuff.91Ƶ

While viewers enjoy the ball as it plays out this week, Valentini and head writers, Dan O91ƵConnor and Chris Van Etten, are looking at storylines for the summer 91Ƶ and beyond. Right now, the show is scripted through the end of May, with writers outlining June.

Valentini, O91ƵConnor and Van Etten spoke to The Associated Press, sharing a behind-the-scenes look at what it takes to keep 91ƵGeneral Hospital91Ƶ on track, crafting storylines, production, balancing veteran characters with new faces and other topics.

Answers have been edited for length and clarity.

WRITERS TAKE THE LONG GAME

VAN ETTEN: There are stories that have certain benchmarks that we want to hit. We try to say, 91ƵOK, Chapter 1 may take us through September. Chapter 2 can take us into November.91Ƶ You get the right bang for your buck by letting a secret or letting a piece of information stew for as long as you can make it make sense and not bore the audience. It91Ƶs a weird tightrope to balance.

WRITING AND PRODUCING A SOAP OPERA IS A PUZZLE

VAN ETTEN: There91Ƶs a puzzle on a micro level and on a macro level. On a micro level, every week, we91Ƶre looking at not just the story and where we want to move the plot and characters, but there are certain economic issues. The studio can only accommodate so many sets at a time. If we put up a set on a Monday, it91Ƶs best to try to use that on a Tuesday and then even again on a Wednesday because it will save time and money. We will take these puzzle pieces of, 91ƵThese are the stories. These are the characters. How can we move the story within the set and other economic considerations that we have?91Ƶ

BALANCING LEGACY PLAYERS WITH NEW FACES

When Valentini took over as executive producer in 2012, he leaned into the soap91Ƶs history and brought back several of its veteran cast. Some made appearances, others stayed on. Today, 91ƵGeneral Hospital91Ƶ has veteran cast members, including , Tristan Rogers, Finola Hughes, Kristina Wagner and Lynn Herring, who are very much in the mix. There91Ƶs another tier of longtime cast members 91Ƶ , Rebecca Herbst, Laura Wright and Chad Duell, for example 91Ƶ who are in front-burner stories. The soap regularly features storylines with its newer cast, including Tabyana Ali, Nicholas Chavez and Evan Hofer.

VALENTINI: When you inherit so much history and so many front-loaded characters and stories, you can91Ƶt just abandon them. Having been at 91ƵOne Life to Live91Ƶ for many years, EPs would come in and they would fire the whole staff. They91Ƶd fire all the writers. They would change the show and start from ground zero. I never think that91Ƶs the right thing to do. You don91Ƶt burn the ship. You turn it around. The cast is just phenomenal, and the few people that we91Ƶve added over the years, I think have really complemented and given the characters on the show storyline. You bring in people to support who you have. We introduce the new characters slowly and methodically and in a way that the audience responds to them.

STORY IS CREATED AROUND BIG SET PIECES

The writers say if a big set goes up, the locale needs to get used. An example is a hotel pool where characters catch rays.

VAN ETTEN: The is a special case because you91Ƶve got to fill a big tank of water that91Ƶs too costly to empty out and then fill back up again based on the writer91Ƶs whim. We had bugged Frank for years, 91ƵWe want a pool. We want a pool for the summer because we have a very attractive cast, and we should show them off91Ƶ They are wonderful actors, but they91Ƶre also beautiful.91Ƶ When he finally yielded to our unrelenting pressure, one of the rules about using the pool is that when it goes up, it stays up.

WHEN TO REFRESH A SET

The Quartermaines are a wealthy family in Port Charles and all live together in a big mansion. Over time it91Ƶs been upgraded with a new foyer, parlor, a solarium and even a breakfast nook.

VALENTINI: The Quartermaine living room just seemed very old (before). They are a very wealthy family91Ƶ People redo their living rooms and people redo their kitchens. These are places that legitimize and help to authenticate the characters in the world that they live in. And I think when the characters aren91Ƶt in the right location, it detracts, and it compromises their integrity. When you see (Benard91Ƶs character) Sonny (Corinthos) in his cool penthouse, that speaks to the character.

SOAP OPERA RAPID-AGING SYNDROME

Soap Opera Rapid-Aging Syndrome or SORAS, is a phenomenon where a young character is suddenly aged for storyline purposes. This has happened many times over the years including with Eden McCoy, who plays Josslyn Jacks, and Chavez91Ƶs character Spencer Cassadine.

O91ƵCONNOR: Usually it91Ƶs a conversation that we have, especially when certain characters move out of some generational benchmarks. Our high school characters are now college age and young adults. So that would be a discussion, 91ƵHey, maybe there is room for an adolescent set of characters on the show.91Ƶ It91Ƶs based off our needs and the story and the show.

VAN ETTEN: There91Ƶs also an X factor in there. We have the best casting director in the business, Mark Teschner. He91Ƶll just unearth someone and especially if it91Ƶs a younger person, he91Ƶll bring this person to Frank91Ƶs attention. Frank may look at the canvas as a whole and say, 91ƵWe have a 6-year-old character who doesn91Ƶt necessarily fulfill a real purpose except to be this person91Ƶs child. Maybe if by aging them to 12 with this younger actor that Mark has found, we can get more story.91Ƶ

STAYING TRUE TO THE SHOW91ƵS HISTORY

With 60 years of story, the writers must remember the history of the characters as best they can, including marriages, babies, and health scares.

O91ƵCONNOR: I91Ƶd say it91Ƶs a collective effort. We do have producers in charge of continuity, but as writers, we all share in that responsibility as well. And the fact that so many of us, if not most of us, were lifelong fans, that certainly helps.

VAN ETTEN: This is me speaking for me, not the writers. I personally believe you shouldn91Ƶt let adherence to continuity get in the way of a really good story. You don91Ƶt want it to be something that completely conflicts with a character91Ƶs 40 years of history, but if you can find a little bit of wiggle room, if you can justify why something that happened back in 1979 might today be viewed through a different lens and therefore make a current story work, I can justify that.

CRITICS ONLINE

It91Ƶs normal for viewers to react both positively and negatively to various storylines, but nowadays with social media, they are given a megaphone to blast those thoughts to the world immediately and in large quantities. The writers appreciate the feedback but also try to not get too fixated on it.

VAN ETTEN: When I was a breakdown writer, I would read Twitter on days when my episode was on. Now that I have a much larger responsibility for the show, I91Ƶm very sensitive and I want to put out something that people like. If they don91Ƶt like it, they91Ƶre usually very, very particular about not liking it. I can91Ƶt. I don91Ƶt need that in my life.

O91ƵCONNOR: Different social media platforms and audiences seem to have different opinions about certain things. So, it91Ƶs hard to say. There91Ƶs a consensus on the show as a whole or the stories when you go to, say, Twitter. (Twitter) has a different opinion than Instagram or Facebook or the message boards. So it91Ƶs hard to gauge just from that feedback which opinion represents the majority of our audience.

IS LUKE SPENCER REALLY DEAD?

O91ƵCONNOR: There91Ƶs very few deaths in Port Charles that are permanent. You never know.

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Alicia Rancilio, The Associated Press

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