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Director Jeff Nichols captures 1960s rebel cool in 91ƵThe Bikeriders91Ƶ

Austin Butler, Tom Hardy, Jodie Comer star in film offering cool cred, pathos and wistfulness
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This image released by Focus Features shows Jodie Comer, left, and Austin Butler in a scene from 91ƵThe Bikeriders.91Ƶ (Focus Features via AP)

Jeff Nichols had dreamt of making a film about a 1960s motorcycle clubs for over 20 years.

The obsession started when he first cracked open Danny Lyon91Ƶs book 91ƵThe Bikeriders,91Ƶ a New Journalism-style account of the Chicago Outlaws Motorcycle Club in the mid-1960s. He saw it as a story about rebels, romantics, frauds and the end of an era.

But he didn91Ƶt quite realize just how terrifying it would be to film the motorcycles in motion.

The bikes were vintage. The actors, including and Tom Hardy, would be riding at high speeds. And there would be no helmets. At some point, one of his stunt coordinators just came out with it: 91ƵThere is no way to make this 100% safe.91Ƶ

They went for it. The danger was kind of the point. And everyone made it out unscathed.

91ƵThe Bikeriders91Ƶ ( ) is a rare summer gem: An original film with stars (including Jodie Comer, Michael Shannon, and Mike Faist), cool cred, pathos and a clear-eyed wistfulness for a brief moment and a type of guy.

91ƵThis is a film that91Ƶs really about nostalgia,91Ƶ Nichols said. There is a sadness that comes with that. But there91Ƶs also a joy in remembering it.91Ƶ

Catching a star on the rise

Nichols has always had luck with casting, getting movie stars in his films right as they91Ƶre about to break big (like Jessica Chastain in 91ƵTake Shelter91Ƶ).

For 91ƵThe Bikeriders,91Ƶ it was Butler. 91Ƶ 91Ƶ had yet to come out, but when he met him, he was certain: This is a movie star.

91ƵI read a lot of scripts and this one just felt different,91Ƶ Butler said. 91ƵIt felt full of humanity and these cinematic moments91ƵI felt like I was being invited into this other world. And he was one of the coolest characters I91Ƶve ever read.91Ƶ

Butler91Ƶs Benny is also the most enigmatic of the bunch: A guy whose face is never shown in Lyon91Ƶs book and who is never interviewed 91Ƶ just talked about.

91ƵI love how Jeff talks about him as being this empty cup that everybody wants to fill with their own expectations and their own responsibilities. He doesn91Ƶt want any of that,91Ƶ Butler said. 91ƵThat91Ƶs when he wants to cut loose and be free.91Ƶ

Nichols wanted Benny to be bottled up until the end and remembered telling his star to 91Ƶpull it back91Ƶ a few times.

91ƵLike, stop smiling,91Ƶ Nichols laughed. 91ƵWhen that kid smiles the whole world smiles.91Ƶ

But he soon realized that was missing the point of casting someone like Butler 91Ƶ an emotive actor with a big heart.

91ƵThat character got better because of him,91Ƶ Nichols said.

A different point of view

One of Nichols91Ƶ biggest breakthroughs was when he realized the narrator should be Kathy, who falls for Benny at first sight and gets wrapped up in the club.

91ƵShe just pops off the page,91Ƶ Nichols said. 91ƵShe91Ƶs witty, she91Ƶs introspective, she91Ƶs self-deprecating, she91Ƶs infuriating at times. She is a real person.91Ƶ

Comer saw in her a fascinating character, an 91Ƶordinary91Ƶ but still extraordinary person that reminded her of women she knew growing up in Liverpool. She worked tirelessly to nail Kathy91Ƶs very specific working-class Chicago accent.

But on another level, she was just a better voice for what he wanted to say.

91ƵThe ultimate truth, and a subtext of the film, is that men are really bad at sharing their emotions,91Ƶ he said. 91ƵObserving this group in the hands of a male narrator I think would be really boring.91Ƶ

Fact, fiction and telling a good story

91ƵThe Bikeriders91Ƶ is a work of fiction. Nichols didn91Ƶt want to be the historian of the Outlaws, a group which still exists. He mostly wanted to capture this time and culture and evoke the feeling he got when he opened that book so many years ago.

But he also draws heavily on Lyon91Ƶs images, some of which are recreated, and reporting. Much of Kathy91Ƶs dialogue are things the real Kathy, who was married to Benny, said. Hardy91Ƶs character Johnny was also apparently inspired by the Marlon Brando film 91ƵThe Wild One91Ƶ to start the club. He was the leader and also a bit of a fraud 91Ƶ a suburban dad with a real job on the side.

Nichols chose to make the film in color, instead of mimicking Lyon91Ƶs famous use of black-and-white photography.

91ƵThey91Ƶre beautiful, but they are romanticized,91Ƶ Nichols said. 91ƵI think when you put them in color, they become less affected. They become more realistic.91Ƶ

The joys and pains of riding those bikes

Like Butler, Hardy came into the film with some motorcycle know-how. But neither would describe it as a leg up 91Ƶ antique bikes are a different beast.

91ƵIt just happens to be a convenience because I can ride as opposed to lying about skiing,91Ƶ Hardy said.

Still, once they got it down it could be rather exciting.

91ƵIt was exhilarating riding in a giant group,91Ƶ Butler said. 91ƵYou feel the energy of every motorcycle coming together.91Ƶ

Comer said riding on the back of Benny91Ƶs bike, in the Cincinnati night with engines roaring and street lights twinkling, was 91Ƶa really magical kind of movie moment.91Ƶ

And the danger was ever-present. But it also resulted in some real movie magic, like the near-impossible recreation of one of Lyon91Ƶs most famous photographs with a single rider speeding across the Ohio Bridge.

In the film, Butler is the rider. They had shut down a bridge. They couldn91Ƶt do it more than twice (both logistically and because they couldn91Ƶt risk anything with their star). They had a 35mm film camera mounted on a car with a moving crane, attempting to speed alongside Butler.

91ƵAll of a sudden we lock in the cameras in the right spot, the bridge is in the right spot, Austin looks back, then he drives off,91Ƶ Nichols said. 91ƵAnd you91Ƶre like holy (expletive): 91ƵWe got it.91Ƶ91Ƶ

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